Managing Writing Inspiration

If you're an article writer who has the option of choosing your own topics to write on, there are a few tips that can help you collect inspiration:

1. Typically, a writer's mind is always writing in the same way an artist's mind is always seeing art in nature.  When an idea pops into your head, scribble it down or get to your computer to jot the idea down. 

2. When you read something online that inspires you, cut and paste it and save it into a special Word file perhaps changing the print colour so you know it is something you copied and not your own work. 

I named my file fodder (material that is used for a particular purpose). When I want to get some writing done to submit for pay, I look in my fodder folder for ideas. 

Just Write, Maybe Take a Course

When I hear of someone who likes to write or ponders becoming a writer, my advice is "just write."  Write regularly.  Write in a journal, write a blog, write into a computer document.

What do you write?  Most times, writing daily is a good way of purging the brain.  It's like venting on paper.  You write your feelings, inspiring thoughts, reinforcing affirmations, about your day, or about a topic of interest.

You don't have to have a result in mind when you write; not like at school where you write because you have to to get a mark.  It really doesn't matter what you write each day.  No one will be marking it!

An amazing thing occurs when you go back and read your notes.  Your notes may inspire you. They might become the basis for a blog or article.  They ground you.  They tell you how far you've come.

Compiled, your writing may become a good eBook one day.  All writing is valuable--either as a personal release or when used to help another person.

Another amazing thing is you get better at your craft if you develop it over time. I've been going back and editing old articles and sometimes I just shake my head. Some of them are lousy-looking now.

HOW TO IMPROVE

If you get to the point where you want to submit work, you will read submission guidelines. You might also read samples of work.  If the submission guidelines are thorough, you'll pick up tips of what not to do.  If you submit to an organization that screens the work, feedback from an editor may be helpful.

Courses have value that isn't necessarily obvious.  I took a copyediting course thinking I might grow the simple editing/proofreading business I had.  I learned that the editors in that organization edit to the "letter of the law."  They reference all types of "official" rule books that ongoingly change their rules.  To be an editor of that caliber takes far more commitment than I'm interested in.

But what was interesting was how the course helped me improve my writing. Through the lessons I learned things I'd never known.  I also used a critique coach.  I picked up a few things from her, although some other things she commented on were maddening.  In all these situations, I've learned to take away the good and dispose of the bad.  No writer needs to feel discouraged.  A lot of writing is subjective anyhow.  There are new ways of writing that old school writers may not embrace and pick you apart on in a critique.  Be wary, and test your gut reaction.  If God has called you to write something, do it.

Sometimes harsh critiques can force you to make harsh changes to your manuscript that are needed in a good way. Sometimes they push you to write as an effort to prove yourself.  Sometimes the critiques give you the impetus to move forward in spite of what you've been told.

Personally, I think there are too many wet blankets out there.  We are in an era of innovation.  Writers usually have a strong need to express themselves, like I am doing in this post.  If I worried about all my punctuation and proper phrasing all the time, I'd get no where.

So find expression.  Forget about perfectionism.  If your piece is to be bought, it will be bought.  If someone thinks it stinks, fine.  Let them have their opinion. Just do your best work, have fun, and go for it! 

Create Dynamic Tension in Your Writing

New Tips for Writers:

Every good fiction book needs to include pain and conflict followed by detailed attempts at pain resolution, if the story is to be more than grandma's garden variety brand of story telling.

If your story is to captivate an audience willing enough pay money to buy it, you will need to create something that catches the reader's attention. 

Once you have an idea of the pain or list of pains your character or characters either have or will endure, the story can then become the unfolding account of attempts at resolving the pain resolution.  In fiction, the pain and conflict can be outrageous and fantastic; after all, fiction stories do their best when they transport the reader into a new world.

WRITING IN PAIN AND CONFLICT FOR NON-FICTION BOOKS

Non-fiction books and articles can follow a similar format in order to pack an impactful punch.  A non-fiction book or article can talk to a need (pain), but the pain will be more common to the intended reader (how can you sell books or articles if there aren’t enough readers with a similar problem, right?).  The problem or pain will be one the reader wants an answer for and to which he is willing to fork over cash in order to solve.

Once the pain is identified in the non-fiction book, the writer can proceed with telling the stories of typical conflicts a person may experience while trying to resolve his/her pain.  To pack a wallop, the non-fiction book needs to have at least one but hopefully more good takeaways, otherwise the reader may feel the book was a waste of money and give it a bad review or rating, or non at all.

To write with this dynamic tension concept in mind, include these guidelines:

·              In fiction, focus on what the character in the story wants

·              In non-fiction, focus on what the reader wants or for a memoir type story, the pain of the author

·              Address self-created obstacles and questionings

·              Address obstacles or aids created by the immediate circle of relationships and environment

·              Outline obstacles thrown in by the outside world that the character may have little control over

·              Have your character lose some battles and win others—and in non-fiction, have your reader consider a number of problem-solving options